jerry douglas trio

What started out as an exercise “just to get my hands talking to each other” turns into an understated, yet dramatic sonic experience. “It blew my head off,” he says. The Dobro According To Jerry Douglas – A Virtual Workshop.

But in this unlikely fusion of “bebop jazz and caveman jazz,” they somehow ride together perfectly — adding some swing as they speed toward “Birdland.”.

This time, it contains the horns he always wanted it to have.“The first time I recorded it, we just played it as fast as we possibly could. With Scottish fiddler Aly Bain, he is co-music director of BBC Scotland’s acclaimed Transatlantic Sessions.

“All this stuff” is the remarkable music Douglas has made on Dobro and lap steel in a career that’s earned him world renown as the top purveyor of his craft. The following year he became a member of J.D. I got another shot at this one.” He likes to describe the tune as “a Flintstones rumble, with Fred in the driver’s seat and Charlie Parker as his passenger. He has produced albums for Alison Krauss, the Del McCoury Band, Maura O’Connell, the Whites, Jesse Winchester, and Steep Canyon Rangers.

Crowe & the New South. “The two should never show up in the same sentence!” he adds, laughing. Daniel Kimbro – Bass

“We didn’t know how to play music like that, most of us. In 1963, John took his young son to a Flatt & Scruggs concert. Speaking of changing the feel, Douglas’ rendering of Tom Waits’ “2:19” is a funky revelation, dripping with soul — and vocals that sound like they’re rolling from the lips of a grizzled Beale Street bluesman killing it at 3 a.m., not a three-time Country Music Association Musician of the Year. Jerry’s distinctive sound graces over 1,500 albums, with artists including Paul Simon, Bela Fleck, Reba McEntire, Yo-Yo Ma, and Ray Charles. Powered by, {{list.tracks[currentTrack].track_title}}, {{list.tracks[currentTrack].album_title}}. Jerry Douglas – Dobro

“I thought, ‘OK, I’m just gonna write like there are really gonna be horns this time, so I’ll just go ahead and stretch it on out,’ instead of thinking, ‘Well, I won’t have real horns ’cause I’ll piss somebody off.’ I’m over that.
Though Douglas has recorded several of these songs previously, he turns them inside out here in bold new arrangements filled with unexpected elements.

On his latest musical foray, What If, Douglas decisively merges those jazz inclinations with the bluegrass, country, blues, swing, rock, and soul he’s spent his life absorbing and performing, forging a sound that flies beyond the boundaries of anything he — or anyone else — has done before. The Earls of Leicester LIVE at the CMA Theater in the Country Music Hall of Fame And I thought, ‘Well, there’s where I could go with all this stuff runnin’ around in my head.’”. United Way of the Lower Eastern Shore Online Volunteer Center. “I’d come up with the tune, and they would help me take it to some crazy places,” he says.

Born in Warren, Ohio, Jerry was exposed to music at home by his father, John, a steelworker who played bluegrass on the side. Since 1998, he has toured regularly with Alison Krauss & Union Station as a featured soloist. The Dobro is an acoustic guitar with a metal resonator that is played with a slide. Not coincidentally, What If marks the recorded debut of The Jerry Douglas Band — because, according to Douglas, it’s a real band effort (also including longtime drummer Doug Belote and violinist Christian Sedelmyer, who joined in 2014). But after bassist Daniel Kimbro joined The Jerry Douglas Band in 2013, he introduced Douglas to guitarist Mike Seal, trumpet player Vance Thompson, and saxophonist Jamel Mitchell — a nephew of famed Al Green producer Willie Mitchell and son of James, one of the original Memphis Horns players. Round Hill, VA. Jerry Douglas with Daniel Kimbro October 30, 2020.

“It’s almost a magic trick to play what I’m playing underneath the melodies,” Douglas says.

This album wasn’t a sure thing until Douglas heard the band perform the Edgar Meyer composition “Unfolding.” He’d played with Fleck, Bush and O’Connor on Meyer’s original 1986 version, then covered it on his 2008 album, Glide.

Doug Belote – Drums

Earlysville, VA. Jerry Douglas with Daniel Kimbro

But there were places even he was afraid to go — until now. “A lot of times, when you record songs, you don’t really know ’em yet.

“I loved it. It led to a place where he felt free to follow those previously stifled leanings. He earned his nickname “Flux” during this time for the rich tone of his playing and lightning-fast style. He’s been described as the Jimi Hendrix and the Charlie Parker of acoustic music. Guitarist, Mike Seal had particularly heavy involvement in “Battle Stick,” a song with multiple time signatures, flipped-backward instrumentation, and other Beatles-influenced “tricks” Douglas loves using. Like fellow bluegrass-rooted peers Fleck and David Grisman, Douglas has always balanced respect for tradition with a desire to escape constricting expectations. Whether as a soloist or bandleader for projects like the Earls of Leicester or the Jerry Douglas Band or Trio, he is a brilliant and innovative performer.

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