Brenda Gayle Plummer is the Merze Tate Professor of History at the University of Wisconsin, Madison. The interviewers focus on the scholar’s career highlights and finally turn to the space that all wide-ranging departures and journeys beyond the nation encounter (regardless of emotional investments)—the place of exile and diaspora. Her research interests include racial formation, performance studies and visual culture, and queer theory and intersectional feminism in contemporary Latin America and the Caribbean. It argues that primitivist discourses framing Vodou as an instinctive capacity latent in all people of African origins provided interwar black artists such as Dunham with a tantalizing possibility of Pan-African solidarity through which they could mobilize their desire for connection with an obscured past and an imagined community in the present. Examining the history of this archive that stands as a metaphor for Swedish colonial amnesia, this essay discusses the reluctance in Sweden to recognize a past that goes against a self-image untainted by slavery and colonialism.
Her work has been published in the Arts Journal, Journal of West Indian Literature, Small Axe, and Interventions. Can a Mulatta be a Black Jacobin? "An Archive of Loose Leaves": An Interview with Frank BirbalsinghNalini Mohabir and Ronald Cummings.
This review essay situates Christopher Taylor’s Empire of Neglect: The West Indies in the Wake of British Liberalism (2018) in the context of the two-decade-long debate about the emergence of a liberal imperialism during the nineteenth century. This response essay is a reflection on the composition of Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg (2017) by its author and a sustained conversation with three of her peers, each of whom illuminate distinct aspects of Schomburg’s life and the scholarship surrounding him and his contemporaries.
Bongo Futures: The Reggae Revival and its Genealogies Kezia Page. In recent reinterpretations of the Caribbean dictatorial past, Caribbean American writers living in the United States challenge the Latin American dictator novel genre as a discursive tradition that reduces Caribbean culture to specific representations of power, oppression, and identity anchored in the political upheavals of the Cold War. Her work examines how the management of the soundscape—through noise abatement laws and public discourses condemning noise—has served as a crucial avenue of racial and colonial governance in both the pre-and postcolonial Caribbean and Caribbean diaspora. Abstract. Adriana María Garriga-López is a cultural anthropologist and multidisciplinary artist, born and raised in San Juan, Puerto Rico. Kahlila Chaar-Pérez is an independent scholar interested in modern and contemporary Caribbean cultures and politics. Vanessa K. Valdés is the director of the Black Studies Program and a professor of Spanish and Portuguese at the City College of New York. Lezama Lima's "Julián del Casal": A New Aesthetics of Reception and Failure for Postrevolutionary TimesArnaldo M Cruz Malavé. Arnaldo M Cruz Malavé is a professor of Spanish and comparative literature at Fordham University. Con-Federating the Archipelago: The Confederación Antillana and the West Indies FederationGuest editors, Yolanda Martínez-San Miguel and Katerina Gonzalez Seligmann, Con-Federating the Archipelago: An IntroductionKaterina Gonzalez Seligmann and Yolanda Martínez-San Miguel. He lives and works in Havana.
It chronicles the rise of the movement, explores the centrality of the digital in the members’ activism, and assesses the methods deployed in the group’s contestation of postcolonial ideals of respectability.
He is the author of Queer Latino Testimonio, Keith Haring, and Juanito Xtravaganza: Hard Tails (2007), a book on high art and queer Latinx popular culture in the gentrifying New York of the 1980s, and El primitivo implorante (1994), a study of the prose fiction of José Lezama Lima, and a coeditor of Queer Globalization: Citizenship and the Afterlife of Colonialism (2002). The novel thus invites readers to process the Cold War’s conflict over time and space through the lens of Jamaican music, attuned both to how geopolitics inflected that music and to how that music inflected geopolitics.
Regionalism, Imperialism, and Sovereignty: West Indies Federation and the Occupation of HaitiRaphael Dalleo. Her research on Caribbean emancipation and Afro-Caribbean peoples’ concepts and practices of freedom has been supported by the Ford Foundation, the Schomburg Center for Research in Black Culture, the Yale Gilder-Lehrman Center, and the American Council of Learned Societies. Christopher Taylor is an associate professor of English literature at the University of Chicago.
Jason Frydman is an associate professor of English and comparative literature at Brooklyn College and the former director of the Caribbean Studies Interdisciplinary Program there. She is the general editor of the forthcoming three-volume Caribbean Literature in Transition, 1800–2015. She holds degrees from the John S. Donaldson Technical Institute (visual communication) and the University of the West Indies (visual arts).
The exchange includes ruminations about marronage and Maroon subjectivity; the futurity of the archive, including its omissions; and a redefining of blackness as a force that ruptures and disrupts facile categorization. The Infrastructures of Liberation at the End of the World: A Reflection on Disaster in the CaribbeanLeniqueca A. Full Text @ Duke. Employing Valdés’s Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg, this essay explores the politics of Afro-diasporic collection, archive, visibility, and futurity.
Consequently, these writers employ a broad range of literary strategies that enrich decolonial conversations about social transformation by imagining models of communication that challenge colonial language hierarchies. Preface: Alasdair MacIntyre's C. L. R. JamesDavid Scott, An Ethics of Discomfort: Katharine Dunham's Vodou BelongingMarina Magloire.
She is the author of works on the African diaspora, Haiti, and African Americans. Photographed by Stefano Caines. Full Text Available.
Abstract. Tracing the specificity of indigenous and black dispossession and antiblackness as integral to Guyanese nation formation and the Caribbean more broadly, it ultimately calls for an expansive Caribbean feminist politics that reckons with indigenous political subjectivities and creates awareness of black belonging beyond statist framings toward mutual liberation.
Adom Getachew is the Neubauer Family Assistant Professor of Political Science and the College at the University of Chicago. She is the book series editor of the Afro-Latinx Futures series at State University of New York Press. She is the editor of Language and Translation in Postcolonial Literatures (2014); a coeditor of “Translation and the Global Humanities,” a special issue of the New Centennial Review (2016); and a coeditor of “Disrespected Literatures: Histories and Reversal of Linguistic Oppression,” a special issue of Altre Modernità (2019). She publishes and teaches courses on comparative Caribbean studies from the colonial period to the present. Annie Paul and Krista A. Thompson.
Her essays have appeared in South Atlantic Quarterly, MLN, Small Axe, the Global South, the C. L. R. James Journal, and Inti. Marina Magloire is an assistant professor in the Department of English at the University of Miami. Small Axe; SX Salon; SX Visualities; SX Archipelagos; Literary Competition; Menu. States of Crisis: Disaster, Recovery, and Possibility in the CaribbeanGuest editor, Ryan Cecil Jobson, States of Crisis, Flags of Convenience: An IntroductionRyan Cecil Jobson. Postdisaster Futures: Hopeful Pessimism, Imperial Ruination and La futura cuir Yarimar Bonilla. Even though these two projects seem to share a similar political goal, they are also radically different.
Given the importance of literature to various forms of social cohesion, it is not surprising that the European and US empires that have dominated the geopolitical existence of the insular Caribbean have not readily invested in literary infrastructure throughout the archipelago. This essay introduces the special section “Con-Federating the Archipelago: The Confederación Antillana and the West Indies Federation,” which interrogates the literary, intellectual, social, and political imaginaries fomented by the Confederación Antillana (Antillean Confederation) and the West Indies Federation, with the aim of promoting comparative studies and dialogue among scholars working on these two political projects.
Born in Kingston, Jamaica, she holds a PhD in African and African diaspora studies and an MA in anthropology, and her work engages discussions of race, class, and gender to explore the relationship between tourism and national identity in the anglophone Caribbean. Sarah E. Vaughn is an assistant professor in the Department of Anthropology at the University of California, Berkeley.
Her research interests center on Latin American, Caribbean, and Luso-Brazilian literatures and cultures; the relationships between literary, ethnographic, and sociological discourses in Latin America; Afro-diasporic literatures and cultures; and critical discourses of race, gender, and sexuality in colonial and postcolonial societies. She works at the intersections of indigenous and black studies, examining black and indigenous political subjectivities and social movements, gendered violence, and critical feminist geographies. When Dunham found her 1930s fieldwork inevitably run aground on the wall of cultural difference, however, her initial feelings of discomfort in Haiti transformed her writing into an interrogation of the supposedly innate and homogeneous nature of blackness.
The Alchemy of Creative ResistanceLa Vaughn Belle, Julián del CasalJosé Lezama LimaTranslated by Robin Myers, In 1941, a young José Lezama Lima, the Cuban poet, essayist, and novelist—who would go on to author the polemically erotic neobaroque masterwork Paradiso (1966) and essays on cultural expression in the Americas, such as “La expresión americana” (1957)—published an article in a Havana newspaper on the late-nineteenth-century queer Cuban modernista poet Julián del Casal that advocated for a decolonial poetics of reception and failure and a creative use of the artist’s archive. The essay offers “translational reading” of texts by Derek Walcott, Velma Pollard, and Dionne Brand as an alternative to the traditionally monolingual model of reading. Charisse Burden-Stelly is an assistant professor of Africana studies and political science at Carleton College, Northfield, Minnesota.
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