the sandman audible review

is an epic about Dream of The Endless, the anthropomorphized personification, source, and inspiration of dreams.

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An expected part one of three. These two elements combine to create one of the best-sounding audio dramas in years. Now, The Sandman was a book that changed everything about my life. There’s a lot of ways to convey fantasy settings using just sound and it feels like the perfect medium for The Sandman. The audiobook itself is beautifully produced, and from the casting announcement, it should come as no surprise that the voices are, on the whole, extremely good. Equally, if not more impressive, is The Sandman’s sound design and score. The whole opening arc comes off great — the cameos from John Constantine, original Sandman Wesley Dodds, and superhero Mister Miracle are bright highlights.

Hannigan understands the weight and atmosphere of The Sandman universe and his score highlights the operatic tendencies in Gaiman’s narrative. Read moreAcceptX. That being said, Audible’s The Sandman is still a very enjoyable experience. Comics are tricky to adapt because so much of the experience is tied with the visuals of the comic, so there is always a temptation to try to capture as much of the visuals as possible. Back in 1988, up-and-coming comics writer Neil Gaiman was offered the chance to reboot the Sandman, a classic DC Comics superhero who never quite made it big. It’s that good of a performance. I’d love to see future installments in the series rely a bit more on Maggs’ and Hannigan’s talents and less on narration from Gaiman, allowing them the opportunity to tell as much of the story as possible through straight dialogue and sound design, but still.

I was particularly pleased by Taron Egerton as John Constantine, Bebe Neuwirth as the Siamese Cat, and, of course, the chocolate-voiced James McAvoy as Dream.

These are plot-inessential background elements that easily could have been softened or diminished for a 2020 adaptation. I want that story to live as long as possible. , felt that the story was perhaps a little too dark for the times. But in The Sandman, where each chapter kicks off with a Doctor Who-like musical fanfare, and actors are crying and hissing and roaring, his storybook monotone sticks out.

Everything that happens in the comics happens in this adaptation, pretty much exactly how you remember it. The narration is partially sourced from the narration captions found in the comic and from Gaiman’s original scripts, where he’d describe the visuals to the various artists so they could subsequently illustrate them. Regardless, this is the original Sandman’s story. Did we need to create an audioscape of a man “nervously” raping the muse Calliope?

For those unfamiliar, The Sandman is an epic about Dream of The Endless, the anthropomorphized personification, source, and inspiration of dreams. Some. And that’s where The Sandman struggles a bit. Which Neil confirmed will begin shooting in a few weeks.

And in adapting the comic, one might want to retain as much of it as humanly possible. Thus, I highly recommend it to everyone. Christian Angeles James McAvoy is exactly as good as you want him to be, bringing a great balance of mystery and power to his Morpheus. Your email address will not be published. The series also shines in adaptations of Sandman’s single-issue tangent tales, like that of the accidental immortal Hob Gadling, the dreams of cats, and the original 1605 production of A Midsummer Night’s Dream.

Regardless, this is the original Sandman’s story. Making an audio adaptation of The Sandman seems like a great idea. The comic itself is a brilliant. As the multi-threaded story unspools, The Sandman descends into Hell to confront Lucifer (Michael Sheen), chases rogue nightmares who have escaped his realm, and crosses paths with an array of characters from DC comic books, ancient myths, and real-world history, including: Inmates of Gotham City’s Arkham Asylum, Doctor Destiny, the muse Calliope, the three Fates, William Shakespeare (Arthur Darvill), and many more.

From award-winning author Neil Gaiman and adapted for Audible by the great Dirk Maggs, you'll be swapped away in an Epic adventure you could have never imagined.

The resulting juggernaut of a series, illustrated by more than two dozen artists over seven years, was a masterclass in mythopoetic storytelling, with barely any superheroes in it at all. For me, I enjoyed the adaptation but I wish it embraced the power of audio dramas a bit more than it does and relied less on narration to explain the “missing” visuals.

You completely buy the idea that he is the lord of the Dreaming. Follow Thoroughly Modern Reviewer on, NEWS: “American Gods” Season 3 Trailer (and all other NYCC teases), REVIEW: “Working on a Song: The Lyrics of Hadestown” by Anaïs Mitchell, REVIEW: “The Crossroads at Midnight” by Abby Howard, REVIEW: “The Last Halloween: Children” by Abby Howard. The Sandman in audiobook is an adaptation where nothing has been lost in translation, except the opportunity to make a story about eternal stories more timeless. There are times where it works very well, but the vast majority of the time narration was used, I felt as though I’d have rather had that information left up to my imagination. The Sandman was written and set between 1988 and 1996, and was undoubtedly informed by contemporary events like the AIDS epidemic in America and England. What I can say about the audiobook is that it’s nothing shy of fantastic. If I’m being blunt about this, it’s out of love; a deep affection and nostalgia for The Sandman and the quality of its storytelling when the series is at its greatest.

Adapted from the …, Your email address will not be published. Then there’s the truly cinematic score from James Hannigan that rivals a Hollywood film. But I’ll firmly pass if that means we’re going to be revisiting the “A Game of You” arc without any considered updates made to the character of Wanda, a trans woman whose identity is denied at every turn — including by a god of the feminine!

But that’s not really what audio dramas are good at.

I love audio dramas and I loved most of Audible’s adaptation of The Sandman. Or to painstakingly, without edits, retell the plot-inessential one-shot story “Facade” — the moral of which can be read as “Suicide isn’t tragic if you’re freakish enough”? The Sandman audiobook is a wasted opportunity to update a classic, the suggestion that “it” is just as appropriate a pronoun, he would change aspects of the comic if it were written today. I found myself wishing The Sandman was allowed to be more of an audio drama, letting the sound effects and dialogue do all of the describing instead of relying on narration to fill in the visual gaps. Change ), You are commenting using your Facebook account. A Supernatural Summary: A Look Back at All 14 Seasons! That’s fitting, given that the original story — a comics series about the king of Dreams — was also a weird experiment.

But the Sandman audiobook is a fresh new creation, and the choice to re-create inessential instances of rape, homophobia, and queer tragedy — especially when working directly with the series’ original writer — simply reads as callous. It’s an adaptation masquerading as a translation — it’s a product of writers and audio artists making choices about how to present purely visual information.

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— until she dies along with most of the cast and her bigoted family buries her in a suit and with a short haircut, under a stone with her deadname on it.

The flaw of the audiobook is that it’s an adaptation where the creators don’t make enough choices. And it’s impressive how well most of the plot translates to an audio-only medium. It's starting to feel real.

The Sandman is a fantastic, immersive and unparalleled audio production. And the Netflix adaptation, from what I hear, will be a modernization set in the present day. Sometimes from an app on his phone.

Recently, at New York Comic Con’s Metaverse, both Neil Gaiman and Dirk Maggs had even gotten into the process of how they had recorded their unique approach to audio, along with the transcripts to Neil’s original scripts.

I’d say it’s well worth a shot, though, especially if you enjoy audio dramas.

It was the only thing I read in my darkest moments and in fact, is the entire reason I personally became a writer. Genuinely gripping and even more terrifying, funny and heartbreaking in the audio drama format, Audible's adaptation of The Sandman is an effectively immersive way to experience the landmark comic book story. Everything from the “sound of [Death’s] wings” to the atmosphere of realms like the Dreaming and Hell to a bunch of fairies watching A Midsummer Night’s Dream sound fully realized and instantly immersive. This faithfulness is a double-edged sword, though. Reviewed in the United States on July 15, 2020. was a book that changed everything about my life.

( Log Out /  But that’s what the comic is for, as this audiobook has done everything it can to translate a vividly detailed story about dreams into a captivating audio drama. Though bear in mind, the story is a direct 1-1 translation. Daredevil - Who Was Stick Talking To at the End of Episode 7? In fact, one of the audiobook’s only improvisations is an opening intro that includes Gaiman’s own unofficial summary of the story.

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