Virginia King was invited by the European Cultural Centre to exhibit during the Venice Biennale, 2019. The suspended vessel of Phantom Fleet implies rising seas, and the urgency of addressing global warming. Virginia King was invited by the European Cultural Centre to exhibit during the Venice Biennale, 2019. The entire base of the work, Hinuera Durer was carved by hand, the Vessel, Hinuera Statuary was carved using power tools. Material: Hinuera stone and gold leaf. Awarded an Antarctic Artist Fellowship in 1999, I travelled to Antarctica and on my return created Antarctic Heart, an installation of video and sculpture shown in black light. In 1988 after reading a Canadian Ministry for the Environment report on climate change, Virginia resolved to focus her work on environmental concerns. Born in Kawakawa, Northland in 1946, as a child I lived in Ohaeawai, Kerikeri and Paihia. Conceived to create comparisons between the nautical, botanical and anatomical, the archetypal form suggests boat hulls, and empty seedpods, associated with water and land. Within Floating Language the classical Roman characters echo the characters the Latin quotation PAX TIBI MARC EVAN GELI STA MEVS, carved on the marble tablet beneath the paw of the Lion of Venice. Marine grade 316 stainless steel, laser cut, hand worked and electropolished. Dimensions: Height 2800mm. An Antarctic Artist Fellowship in 1999 was a pivotal experience, with a visit to the spectacular Lake Vanda strengthening her interest in the microsphere. As Distinguished Invited Artist I participated in Sculpture by the Sea, Bondi in 2010 and exhibited at Sculpture by the Sea, Cottesloe, Perth, in 2011. Virginia has 6 jobs listed on their profile. Hoop pine plywood, natural and artificial fibre, acrylic and oil based stains and embossed text. My sculpture was included in Current, Contemporary Oceanic Artists, at the October Gallery in Bloomsbury, London, 2011, before an Artist Residency at Holualau, Big Island, Hawaii in September the same year. The form supporting the vessel suggests an elevated altar, referencing the majesty of life and survival. 5 of a series of 8). The work celebrates Venice as the heart of printing in the fifteenth century, when the Republic of Venice became the centre of the printing industry in Europe. The exhibition toured public galleries New Zealand and Australia between 2001 and 2008, including the opening of Christchurch Art Gallery, Te Puna O Waiwhetu. Composition of stone is 90% silica. Sound: Includes evocative music played by three musicians from Aotearoa: Heart Strings Duo: Natarani-Cello, Sasha- Guitar and Anu Grace- Flute. By magnifying and abstracting the scale of natural life forms, she draws attention to the beauty, fragility and vulnerability of our environment. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. Purchased, by Devonport City Council. My sculpture was included in the Fifth Goodman-Suter Contemporary Art Project, The Maui Dynasty in Nelson, 2008 and at Kaohsiung Museum, Taiwan in 2009 with The Great Journey, In Pursuit of the Ancestral Realm. Temporary and site specific commissioned works are included along with vessel forms that have evolved as metaphors for life and survival. To illustrate the impossibility of regrowth of the coral forests Virginia used an archaic method of repairing Lapita Ceramic pottery, drilling and fixing the panels together with copper wire. Her vessel forms have evolved from symbols of exploration, migration, and nurturing, to become metaphors for life and survival. Virginia has 9 jobs listed on their profile. Marine grade 316 stainless steel (No. International Public Sculpture collections include: Pacific Star, and Colony at the Jean-Marie Tjibaou Cultural Centre, Noumea, New Caledonia; Limpet, Hawaii State Art Museum, Honolulu; Limpet-Shrine, Singapore Tourism Bureau and Leaf, Frond and Coral at the University of Singapore. Menu. But the sea though changed in a sinister way will continue to exist, the threat is rather to life itself…’. Hoop Pine plywood, copper wire, water jet and hand worked panels, acrylic paint, burnt pigment, and embossed text. Virginia King Sculptor was published by David Bateman Limited, 2005 (ISBN 1- 86953 -615-0)Recent Work, Virginia King 2006-2012. I created Pacific Star, a floating installation for the opening of the Jean-Marie Tjibaou Cultural Centre, Noumea in 1998, the same year Limpet-Shrine won the Jane Campion Memory Award at Sculpture by the Sea, Sydney. My exhibition Tideline, A Ten Year Survey, was presented at the Whangarei Art Museum in 1999. Woman of Words, a unique figurative sculpture celebrating the life of Katherine Mansfield, was installed in Lambton Quay, Wellington, 2013. This is an affirmation of her extensive body of work and position as one of New Zealand’s leading sculptors. Styx (Sticks) Length: 9:27 Styx (Sticks), draws parallels between the huge loss of New Zealand's ancient Kauri and the five rivers of grief represented in Greek Mythology: The video includes archival footage of the Kauri logging industry, a soundtrack of original music and my … The four minute video covers my practice over the past thirty years, showing the complexity and significance of my work in the Pacific environment and providing context and reference to the work in Venice. Virginia King, Writer: Before Sunrise. Following the death of my father when I was 12, I attended secondary school at Sacred Heart College, Hutt City and Wellington Polytechnic School of Design, Elam School of Fine Arts, Auckland and Chelsea Art School, Hammersmith, London. My interactive public commissions include the Rewarewa Creek Footbridge, 1995 and Aramarama Millennium Footbridge, Mission Bay, Auckland in 2000; Koru and Raupo Rattler, 2001 at Brick Bay, Matakana, Northland; Oioi Bridge, 2002 at Connells Bay Centre for Sculpture, and Tower of Words - Tower of Silence, 2003 at Omaru Bay, Waiheke Island. Over the past thirty years Virginia has created a diverse range of site specific sculpture, commissioned for public locations and private collections. 1999. Following the death of my father when I was 12, I attended secondary school at Sacred Heart College, Hutt City and Wellington Polytechnic School of Design, Elam School of Fine Arts, Auckland and Chelsea Art School, Hammersmith, London. This is an affirmation of her extensive body of work and position as one of New Zealand’s leading sculptors. The work evokes ancient mythologies and makes reference to environmental migration, endurance, survival and hope. The sound track combines evocative music played by three musicians from Aotearoa, playing cello, guitar and flute music, the loop video plays continuously in the exhibition space. The works reference marine life and microorganisms, drawing attention to the fragility and vulnerability of our environment.
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